Bitch Los Angeles, California
The longstanding queer music icon Bitch makes witchy poet pop. She does it with violins and synthesizers, and the songs she writes are spectral, heartbreaking, political, and beautiful. "Bitchcraft" is like Joni Mitchell set to a click track, it’s queer Cyndi Lauper. It’s neon pink, in your face, ready to hex you with its brilliance. ... more
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supported by 10 fans who also own “Fallen Witch 1”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last!
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Poppy indie rock from Olympia, WA, fully in keeping with that city's tradition of playfulness and quirk.
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Sideline Kid
by Strange Relations
A tender, intimate, minimalist indie pop EP for anyone who's ever felt on the outside looking in.
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Sophie Negrini's longrunning Janelane project reaches new heights of dreamy power pop perfection on an upcoming full-length.
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Wary + Strange
by Amythyst Kiah
supported by 9 fans who also own “Fallen Witch 1”
I've been listening to this album, and others, for a while but the live performances of 'Firecracker' and 'Wild Turkey' , as well ad 'Darlin' Cory', at the Transatlantic Sessions show at the RFH was another level. Live music is the best. The whole concert was insanely good. Shame not to hear 'Black Myself' in that setting but it was all near perfection as it was.
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